Tara's multiple personalities include "T" the wild-child teenager, "Buck" the rough and tumble biker dude, and "Alice" the type-A homemaker. But with a family that loves her just the way she is, Tara never gives up hope that someday she can just be herself.

United States is a short-lived half-hour comedy-drama that NBC added to its Tuesday primetime schedule in March 1980.Larry Gelbart, the show's executive producer and chief writer, said the name United States was not a reference to the country but rather to "the state of being united in a relationship". Gelbart envisioned a series that would be "a situation comedy based on the real things that happen in my marriage and in the marriages of my friends".Episodes tackled such topics as marital infidelity, household debt, friends who drink too much, death within the family, and sexual misunderstandings.United States focused on Richard and Libby Chapin, an upwardly mobile couple who lived in a Los Angeles suburb. Beau Bridges played Richard, and Helen Shaver played Libby. Gelbart reverted to black-and-white script for the show's titles. He said that was to convey the mood of "a sophisticated '30s film." Gelbart also avoided use of background music and a laugh track. Scripts featured dialogue such as, "Just for once I'd like to be treated like a friend instead of a husband," and "Maybe you and Bob can go out and get yourselves one redhead with two straws."United States premiered at 10:30 p.m. on March 11, 1980. NBC pulled it from the schedule within two months, after only six of 13 episodes had aired. The remaining episodes were not broadcast until 1986, when the A&E cable channel aired United States.

The United States Steel Hour is an anthology series which brought hour-long dramas to television from 1953 to 1963. The television series and the radio program that preceded it were both sponsored by the United States Steel Corporation.

Exploring the history of the 'Power Rangers' franchise, casting, special effects and music.

A Short History of the Gaze is an experiential essay for Virtual Reality about the relationship between gaze and violence. 　　From the evolution of sight in a pre-cambrian sea creature to the dominance display of a primate, from a landscape of billboards begging for attention to an infinite panopticon, the player traverses and affects the virtual scenes by simply looking (or not looking) at things.

John Simm, an award-winning actor best known for his time-travelling roles in Life on Mars and Dr Who, dropped into Old Trafford recently to front the new official DVD, A Century of Dreams. 　　Out now, the DVD celebrates the greatest goals, games and players from Old Trafford’s glorious first 100 years and features the personal recollections from Sir Alex Ferguson, Sir Bobby Charlton, Ryan Giggs and many others. 　　Welcome back to Old Trafford, John. Please tell us about your first experience here and the impact it had on you... 　　A friend’s dad brought me when I was 12. It was a cup game against West Ham and Steve Coppell scored. (United won 2-0; FA Cup third round, 8 January 1983). It had a huge impact on my life, just walking in and seeing the pitch for the first time. 　　Who was your first United hero? 　　My first hero was Coppell, not just because he scored the first goal I ever saw at Old Trafford, but because he was a right winger and that was my position when I played. He was small, fast and dynamic. I also had a soft spot for Gary Bailey. 　　Who’s the best player you’ve seen at Old Trafford? 　　With apologies to Ryan Giggs, it would have to be Eric Cantona, for the aura and the enigma. There was just something about his attitude, the way he used to walk out, collar up, as thousands of fans shouted his name. It’s the closest thing you can get now to seeing gladiators at the Coliseum in Roman times. Eric was extraordinary to watch, especially for me as an actor, just to study his face and think, ‘How must he feel?’ He was a really special player. He did stuff I’d never seen before. 　　So is Ryan someone else you’ve admired?

UNTITLED AZHAR USMAN PROJECT is a refreshingly honest and ferociously independent standup film by veteran (yet indie and underground) standup comic Azhar Usman, directed by his longtime collaborator, Paul Elia. The one-time co-creator of "Allah Made Me Funny-The Official Muslim Comedy Tour" now finds himself working in Hollywood, inside the proverbial 'Belly of the Beast,' writing for successful TV shows, and even joining the Marvel Cinematic Universe. But who cares? From thoughtful ruminations on the nature of life and existence itself, to deeply confessional and personal stories, Azhar takes a startling (yet hilarious) look at his own fears, insecurities, and privately held beliefs, while trying to make sense of the crazy world around us. UNTITLED AZHAR USMAN PROJECT is a tour-de-force of spiritual wisdom, philosophical examination, and raw standup comedy, illustrating why Dave Chappelle once remarked: "Azhar is untouchable, he's like a comedian from the future."

The day before Soo-min’s big concert day, her college friends Won-ho, Sun-ki, Hong, and Jin-sook gather to celebrate Soo-min. Talking about their old memories and having fun seems like a happy moment of old friends. But soon when Soo-min leaves to the bathroom, Jin-sook starts a disturbing story about Soo-min that she has been sexually abused by her dad and brother after her mom’s death. As all friends are shocked, one by one starts to talk about Soo-min’s whole secrets as if they know everything about her without knowing Soo-min is overhearing their conversation. It drives Soo-min to the irrevocable revenge with secrets behind.

Sam Born, an ambitious immigrant confectioner, unknowingly finds himself in the crosshairs of a ruthless turf war over the candy business in mid-century America.